He’s also employed every resource at his command to put together a slick Hollywood-style production, where one rightly scales up to dumb down, and what’s wrong with that? This explains the massively mounted picture - not only produced by Devgn, but where Devgn directs himself as well. Over here, he pushes off to Bulgaria to have his little child finally meet his biological mom. For most others, I’m sure, it would be Sanjay Leela Bhansali’s ‘Hum Dil Chuke Sanam’ (1999) - a lovely looking fantasy where Devgn, the husband, goes off to Italy, to reunite his wife (Aishwarya Rai Bachchan) with her lover (Salman Khan). For me, it’s undoubtedly Ram Gopal Varma’s ‘Company’ (2002). Speaking of which, let’s just recall where we’ve loved tragedy king Devgn the most.
Given Mista D has been around for two-and-half decades on the big screen, I’m sure such fans are one too many.
You just have to be the world’s biggest Ajay Devgn fan to keep your eyes peeled over 2 hours, 50 minutes, on him, all through a film.
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